Where decades of pop culture had split notions of male identity into macho and sensitive, jocks and nerds, Pearl Jam, in their own unwitting way, brought them together: Here were five very earnest young guys, desperate to take you above the rim.Īnd for all the stereotypes of Seattle rock as grungy and monochromatic, Ten (its title a tribute to Blaylock’s jersey number) has a broad palette: syncopated hard rock (“Once”), fragile ballads (“Black”), Hendrix-indebted psychedelia (“Deep”). As the story goes, singer Eddie Vedder-a gas station attendant in San Diego who’d never met his bandmates before joining them in Seattle-came up with his first round of lyrics for their demo tape while he was out surfing, his feet still covered in sand as he laid down vocals. For as dark as the material on Ten is-portraits of homelessness (“Even Flow”) and mental illness (“Why Go”), family dysfunction (“Alive”) and teenage alienation elevated to physical violence (“Jeremy”)-the overall spirit of their 1991 debut is one of brightness and vitality, of rising above. That Pearl Jam originally named themselves after the NBA player Mookie Blaylock makes a poetic kind of sense: Of all the bands to come out of the alternative-rock boom in the early ’90s, none felt so deeply connected to sports as they did-their focus, their fluidity, their kinetic energy and positive release.

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